A major


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A major
Image:A_Major_key_signature.png
Relative key F minor
Parallel key A minor
Component pitches
A, B, C, D, E, F, G, A

A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps.

Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A-major is the only key where a Neapolitan sixth chord on \hat2 requires both a flat and a natural accidental.

Although not as rare in the symphonic literature as sharper keys, examples of symphonies in A major are not as numerous as for D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto and Clarinet Quintet are both in A major, and generally Mozart was more likely to use clarinets in A major than in any other key besides E-flat major.[1]

In chamber music, A major occurs more often. Both Brahms and Franck wrote violin sonatas in A major.

According to Christian Friedrich Daniel Schubart, A major is a key suitable for "declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God."

Ascending and descending A major scale.

For orchestral works in A major, the timpani are typically set to A and E a fifth apart, rather than a fourth apart as for most other keys.

See also: List of symphonies in A major

References

  1. ^ Mark Anson-Cartwright, "Chromatic Features of E♭-Major Works of the Classical Period" Music Theory Spectrum 22 2 (2000): 178
  • Colin Lawson, Mozart: Clarinet Concerto, A Cambridge Music Handbook, Cambridge University Press, 1996.

Scales and keys

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