
| Marie Lloyd | ||
![]() Photograph in possession of family |
||
| Background information | ||
| Birth name(s): | Matilda Alice Victoria Wood | |
| Date of birth: | 12 February 1870(1870-02-12) | |
|---|---|---|
| Birth location: | Hoxton, London[1] | |
| Date of death: | 7 October 1922 (aged 52) | |
| Death location: | Hendon, Middlesex[2] | |
| Genre(s): | Music hall | |
| Spouse(s): | Percy Charles Courtenay (1887–1905)[3] Alexander Hurley (1905-1913)[4] |
|
Matilda Alice Victoria Wood (12 February 1870 – 7 October 1922) was an English music-hall singer, best known as Marie Lloyd.
Contents |
Born in Hoxton, London, her early interest in the music-hall was fostered by her father John, who worked part-time in the nearby Royal Eagle Tavern. Marie formed her sisters into a singing group called the Fairy Bells Minstrels, singing temperance songs in local missions and church halls, costumed by their mother Matilda Mary Caroline Wood[5]. In her teens, the younger Matilda Wood adopted the name Marie Lloyd, and quickly became one of the most famous of English music hall singers and comediennes. Her first major success was The Boy I Love is up in the Gallery. She was the eldest of nine siblings, seven of whom had theatrical careers, the most successful being Daisy, Rose, Grace, and Alice[6]. All but Daisy performed under the name Lloyd in honour of their eldest sister.
Lloyd's songs, although perfectly harmless by modern standards, began to gain a reputation for being "racy" and filled with double entendre, ("She'd never had her ticket punched before" for example) largely thanks to the manner in which she sang them, adding winks and gestures, and creating a conspiratorial relationship with her audience. She became the target of Vigilance or "Watch" committees and others opposing music-hall licenses. She liked to claim that any immorality was in the minds of the complainants, and in front of these groups would sing her songs "straight" to show their supposed innocence. In one famous incident, she was summoned before one of these committees and asked to sing her songs. She sang Oh! Mr Porter; and A Little of What you Fancy in such a sweet innocent way that the committee had no reason to find anything amiss. She then rendered the drawing-room ballad Come into the Garden Maud in such an obscene way that the committee was shocked into silence. She did herself no favours.
On another occasion, as legend has it, when the moralists objected to her song "I sits among the cabbages and peas", with its daring - for the context - reference to urinating, she transformed the lyrics, and sang instead "I sits among the cabbages and leeks" to the roars of laughter of her adoring audience.
The following year she made her first visit to the United States. Her "blue" reputation preceded her and she quickly gave an interview to the New York Telegraph newspaper that carried her quote
| “ | They don't pay their sixpences and shillings at a music hall to hear the Salvation Army. If I was to try to sing highly moral songs, they would fire ginger beer bottles and beer mugs at me. I can't help it if people want to turn and twist my meanings. | „ |
|
—Marie Lloyd, New York Telegraph |
||
Although popular enough to command her own fees, Lloyd backed and supported the 1907 strike for better terms by music-hall performers. She commented on her support
| “ | We (the stars) can dictate our own terms. We are fighting not for ourselves , but for the poorer members of the profession, earning thirty shillings to £3 a week. For this they have to do double turns, and now matinées have been added as well. These poor things have been compelled to submit to unfair terms of employment, and I mean to back up the federation in whatever steps are taken. | „ |
|
—Marie Lloyd, on the Music Hall War[7] |
||
Marie performed on picket lines throughout the strike, and in a fund raising performance at the Scala Theatre. During one picket she recognised someone trying to enter, Lloyd shouted, "Let her through girls, she'll close the music-hall faster than we can." The singer was Belle Elmore, later murdered by her husband, Dr. Crippen.
During World War I, like most Music Hall artists, she enthusiastically supported recruitment for the army. The recruitment went on in the music halls themselves, often in the tone "Two shillings for the first man to sign up tonight". In particular she sang the song I didn't like you much before you joined the army, John, but I do like you, cockie, now you've got your khaki on. She also sang in many free concerts for the masses of wounded returning from the trenches.
Marie Lloyd was married three times. Her spouses were:
Her private life was also controversial. Her first marriage to Percy Courtenay was a stormy one and ended in divorce in 1905. She quickly married Alec Hurley the next year, and in 1910 met Irish jockey Bernard Dillon.
She first appeared in the USA in 1897, but she was refused entry in 1913 for "moral turpitude" when "Mr. and Mrs. Dillon" arrived together, but unmarried. After an enquiry, she was allowed to stay. Alec Hurley died two months later, and Marie and Dillon were married at the British Consulate in Portland, Oregon, on 21 February 1914.
Dillon began drinking heavily and abusing Marie and she began drinking as her own escape. In 1920, they separated. From then on, Marie Lloyd went downhill and although she still worked, it became more and more difficult to get her on to the stage in time. Her voice became weaker and her act shorter. On 4 October 1922 she was appearing at the Empire Music Hall, Edmonton, London.[8] During the last song in her act I'm One of the Ruins That Cromwell Knocked About a Bit, she staggered about on the stage. The audience laughed delightedly when she fell, thinking it was all part of the act. However, she was desperately ill, and died three days later on 7 October.
On 12 October 1922, over one hundred thousand people attended her funeral at Hampstead. In the funeral procession, there were twelve cars full of flowers and on top of the hearse was the long ebony cane with the sparkling top hat that she had used in her act. The theatrical newspaper, The Era dubbed the cortege a "Royal Progress". Her daughter by Courtenay, Marie (1888-1967) took the stage name Marie Lloyd Jr., appeared in a short musical film in the DeForest Phonofilm sound-on-film process made in 1926, and performed in music hall for many years.
Marie Lloyd was buried in Hampstead Cemetery, Fortune Green Road, with her parents, Matilda and John Wood. On her death, in 1967, Marie Lloyd Jr, was also buried there.[9]
Her life was adapted into a BBC one-off TV drama, Miss Marie Lloyd - Queen of The Music Hall, in 2007. Lloyd was portrayed by Jessie Wallace and Percy Courtenay was played by Richard Armitage[10].
She was portrayed in the final series of the sitcom Goodnight, Sweetheart by Emma Amos when time-traveller Gary Sparrow found himself in Whitechapel at the time of Jack the Ripper[11].
The actress and singer Elizabeth Mansfield starred in the one-woman show Marie. This started at the Edinburgh Festival, went to London's Drill Hall then the West End's Fortune Theatre, where Mansfield was nominated for an Olivier Award (for Best Actress in a Musical) in 1996. A national and USA tour followed.
| Persondata | |
|---|---|
| NAME | Lloyd, Marie |
| ALTERNATIVE NAMES | Wood, Matilda Alice Victoria |
| SHORT DESCRIPTION | Music hall singer |
| DATE OF BIRTH | 12 February 1870 |
| PLACE OF BIRTH | Hoxton, London, England |
| DATE OF DEATH | 7 October 1922 |
| PLACE OF DEATH | London, England |
Why are we here?
All text is available under the terms of the GNU Free Documentation License
This page is cache of Wikipedia. History