
| Sally (1929) | |
|---|---|
| Directed by | John Francis Dillon |
| Written by | Waldemar Young A.P. Younger based on the Broadway musical by Guy Bolton and P.G. Wodehouse |
| Starring | Marilyn Miller Alexander Gray |
| Music by | Jerome Kern Leonid S. Leonardi |
| Cinematography | Devereaux Jennings Charles Edgar Schoenbaum (Technicolor) |
| Editing by | LeRoy Stone |
| Distributed by | First National Pictures: A Subsidiary of Warner Bros. |
| Release date(s) | December 23, 1929 |
| Running time | 103 min. |
| Country | |
| Language | English |
Sally is the third sound feature photographed in Technicolor released in 1929 (the first was On with the Show 1929).
It was based on the Broadway stage hit, produced by Florenz Ziegfeld (which played at The New Amsterdam Theatre, from 12/21/1920 to 4/22/1922). Marilyn Miller, who had played the leading part in the Broadway production, was hired by the Warner Brothers at an extravagant sum (reportedly $1000 an hour for a total of $100,000) to star in the filmed version.[1] The film was nominated for an Academy Award for Best Art Direction in 1930.
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Sally (Marilyn Miller) is an orphan who was named by the telephone exchange where she was abandoned as a baby. In the orphanage, she discovered the joy of dancing. Working as a waitress, she serves Blair (Alexander Gray), and they both fall for each other, but Blair is engaged to socialite Marcia. Sally is hired to impersonate a famous Russian dancer named Noskerova, but at that engagement, she is found to be a phoney. Undaunted, she proceeds with her life and has a show on Broadway, but she still thinks of Blair.
The film survives only in black and white except for a brief color segment from the Wild Rose musical number which has been inserted into the print currently in circulation. Those frames which are missing in the color fragment, however, are presented in sepia toned black and white instead of being colorized to match.
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